-Fats Waller. Which of the following is true of the Miles Davis Nonet? Dizzy Gillespie, who died in 1955, had his career cut short by his addiction to heroin, Norman Granz's concerts were rowdy and competitive affairs, dismissed by critics as vulgar and incoherent, This excerpt of "Now's the Time" begins with the sax repeating a short melodic fragment. - structure driven by nontonal melodic intent, melodic fragments evolve bossa nova small-group recordings marked the beginning of Latin Jazz. Across. This pianist on Miles Davis's recording of "So What" helped to establish the tune's modal flavor: Some critics feel that compared to Dizzy Gillespie, Miles Davis had a shortcoming as a trumpet player in his, speed, virtuosity, and use of the upper range of the trumpet, Miles Davis's 1954 recordings with Horace Silver and Kenny Clarke helped to establish, Miles Davis was fond of altering his timbre with, The rhythm section of Miles Davis's 1950s quintet included, Among the orchestral albums Miles Davis created in collaboration with Gil Evans in the late 1950s were, Miles Davis's interest in modal jazz was sparked by, improvising for the score of a French film, Bill Evans was especially influential in his pioneering of. Rhythm-a-ning Thelonious Monk | Last.fm 10 terms. -the drummer accents the backbeat. Correct each error, using capital letters and Lowercase letters where they are necessary. 1 LWBK942-FM.qxd 6/25/11 8:45 AM Page x . George Russell discovered the pianist________, introduced him to Miles Davis, and recruited him for his Jazz Workshop group. 1950s jazz change. Dexter Gordon's first stylistic influence was_____ ; there he switched his allegiance to_____ . b. the evolution of the saxophone as an important band instrument. When the second theme returns in the recapitulation, it's transposed to (G, D, g, E) 3. Both the simple folk song and the complex electronic composition belong to the same activity, music. todd j vasos political party; Really, all of them are the same scale. Gained exotic feeling from Cotton Club. Written by Mary Lou Williams and recorded with Decca. My favorite recording is the relatively sedate version that Monk did in 1963. In 1955, Miles Davis gained recognition for his muted version of the tune ________ at the Newport Jazz Festival. - Kind of Blue (1959) set the standard for modal jazz Categories . Other: popularized scat singing, expanded repertoire beyond that of New Orleans jazz- incorporated Tin Pan Alley, blues, - pianist, composer, arranger (1st impt in jazz) How is bebop musically distinct from the big band style? POST BOP Start studying Jazz Listening Quiz #4. In general, this is not much agreement between the melody of this tune and the underlying chord changes. He played a few of his piano variations on Ellington's "Sophisticated Lady." How many musicians are featured in Miles Davis's "Birth of the Cool" band? In the beginning, the two horns play the same rhythm harmonized. monophonic texture and the trumpet and sax playing in octaves. All of the following are true of Bud Powell's innovative and influential approach to the piano except. In this particular audio clip, which character is depicted? - series of albums (Cookin, Relaxin, Steamin, Workin) cabaret tax on venues with singing/dancing La mlodie ou thme de Rhythm a Ning est compose sur la structure harmonique du standard I got rhythm crit par George Gershwin. Trombone and electric guitar Eddie Durham was an arranger. Count Basie=piano, Herschel Evans and Lester Young=tenor saxophones, Freddie Green=guitar, Walter Page=bass, and Jo Jones= drums. These jam sessions were friendly, but also competitive. - 12 bar blues and rondo form, Hard bop uses standard forms, with greater variety; fewer contrafacts; darker/rougher tone colors; hard-driving groove with a strong backbeat; complex and blue-oriented improv. - great exploration and experimentation of simple ideas. Place a check beside each sentence that contains an adverb clause. Most talented in the recording studio. concerto-form works designed to feature soloists. Why did John Coltrane's recording of "Chasin the Trane" divide his audience? Which of the following is true of Lennie Tristano? 17 terms. Use a chart like the one shown to organize your thoughts. In the recording at the top of this post, remember how Monk starts his solo with that crazy substitute progression that starts on F#7 and then cycles back home to Bb? What are the defining characteristics of the Kansas City big band style? emphasis on blues/simple arrangements of standard tunes. -Lester Young The ensemble performing "Rhythm-a-ning" is a. jazz combo. the opening passage of rhythm a ning features quizlet Listen to his comping behind Charlie Rouse's tenor sax solo; no one . As a clarinetist: excellent swing feel with regular phrasing, blues inflection and a fast vibrato. York University a new piece with the same chord progression as a preexisting tune 32-bar AABA. hard bop. Which of the following is true of Gil Evans? Bubber Miley, "Tricky" Sam Nanton, and Harry Carney (baritone sax, deep and rich) were key unique players. The jazz composer Thelonious Monk wrote about ___ pieces, Thelonious Monk's professional career began in, Monk's approach to improvisation is striking in its use of. Then, in measures six and seven, he plays the riff again, but he shifts it two beats later, so the accents fall differently. In the bridge (B phrase) of this AABA head the pianist plays two descending _______ scales. Charles Mingus was the first composer of his generation to. Do not be misled when words intervene between the subject and the verb or when the subject comes after the verb. Rhythm-A-Ning - Learn Jazz Standards Which of the following is true of John Coltrane's album Giant Steps? jazz quiz 10. He wrote "Take the 'A' Train" and his writing was hard to distinguish from Ellington's. On the C7 in measures 21 and 22, he plays the yin scale again. Its so wrong, its right! Which of the following is true of Charlie Parker's musical works during the 1950s? The drum grooves of "Concerto for Billy the Kid" display the influence of what style? Definition. History of Jazz: Chapter 11 Listening Quiz, Byron Almen, Dorothy Payne, Stefan Kostka, Snapshot - Iowa Statutes, Rules, and Regulati. On C7: Play the yin scale for an implied C9(b5 #5) sound. BEBOP - 6 week engagement at The Five Spot fostered experimentation- never performed the same piece twice During the 1920's, critics attacked Louis Armstrong for playing popular songs. Strong left-hand rhythmic foundation with percussive ostinatos (or "chains") in 4/4 time and right hand bluesy patterns, often in cross-rhythms. To make it sound bigger, Williams had one of the trumpeters play with the saxophone section, using a mute to help blend. Which of the following is true of Kind Blue? M-Base= Macro-Basic Array of Structured Extemporization Davis was constantly developing new styles and then moving on. Some fans found it invigorating, whereas others considered it "musical nonsense", Within a year of recording A Love Supreme, John Coltrane shifted him musical direction toward, avant-garde, free music that reflected the turbulent times. Heres the A section as visualized in Ableton Live, run through the GIMP polar coordinates filter. On G7: Play the yang scale for an implied G9(b5 #5) sound. Dave Brubeck's novel approach to which musical element in his compositions led to his 1959 album Time Out becoming a national phenomenon? Byron Almen, Dorothy Payne, Stefan Kostka, Music in Theory and Practice, Volume I Workbook. TL. What bebop standard does the pianist reference with the three-note motive heard toward the end of this excerpt? The last chorus contains a riff that Thelonious Monk later used for his composition "Rhythm-a-ning." Features stride piano with call with dissonance and response by band. - wrote to highlight individuals: balanced ensemble sections with improvised solos This band, the most popular jazz group of the 1950s, was known for its use of unusual meters: Hard bop tended to feature longer solos, in part because of, the invention of the LP (long-playing record), Hard bop differed from cool jazz in preferring, a direct connection with gospel and rhythm and blues, a hard bop drummer and the leader of the Jazz Messengers. Ellington's co-composer and close friend- assimilated Ellington's style so much that it can be difficult to tell whose it is. At first, they had intonation problems and a restricted repertory of head arrangements. The career of this highly influential hard bop trumpet player lasted only four years, before he died in an automobile accident: This hard bop musician, whose lengthy career was occasionally interrupted by brief sabbaticals devoted to practicing, recorded Saxophone Colossus in 1959: Sonny Rollins was influential in his use of, Following the lead of Charlie Christian, Wes Montgomery played the, Among the techniques that Wes Montgomery developed was(were), playing solo lines with his thumb and the use of octaves, featured her scat-singing Listening Exam ch 3+4. Making generalizations helps readers understand the main points and implications of a work. As the train gets . A and c only All of the following general parameters of avant-garde jazz are correctly described EXCEPT: instrumentation: limited to rhythm section plus horns Later in his career, Gil Evans embraced jazz-rock fusion and recorded orchestral - form: original composition (16 bars) Melody from Barney Bigard (clarinet, originally tenor). Drummer Jo Jones kept pulse on the bass drum light, moving the basic sound to the high-hat cymbals (bebop drumming). Which composer does this describe: worked with conventional forms; added elements of gospel, ragtime, and classical music; and expanded forms into longer works? The alto saxophonist heard in this excerpt is (00:30) Cannonball Adderley. Jerry Newman took his wire recorder to a jam session in Harlem. Other Quizlet sets. You play the yin scale on F#7, the yang scale on B7, the yin scale on E7, the yang scale on A7, the yin scale on D7, the yang scale on G7, and so on, simply alternating back and forth. CHANGE OF THE ?GUARD? The public's tastes were formed by swing, which functioned as dance music and entertainment, and it viewed bebop as a fad. The bass switches from an ostinato to a walking bass. Verified answer. He stretched out stylistically, recording with a Latin rhythm section and a string ensemble. Features Ben Webster (tenor sax). Some of Bill Evans's most important trios, which was recorded at the Village Vanguard in 1961, was formed with the drummer Paul Motian and the bassist. Rhythm: one of the first to refine jazz rhythms: swinging 8th notes, loose phrasing, syncopated accents. -Benny Carter Cootie Williams (trumpet), Johnny Hodges (alto sax), and Barney Bigard (clarinet). musicians union strike 1942-4- ban on recording. Well get to that. No one can agree what time signature Row Row Row Your Boat is in. Hard bop bands kept the mainstream jazz audience engaged by emphasizing. Modal jazz (1960-5): "A love Supreme" (1964) "There (is, are) much gray in his hair.". Thelonious Monk made prominent use of _____ in his playing and composing. Its theme is permanence of love. In measure 24, Monk finally resolves to the expected F7 chord, but with a classic Monk-ian cluster voicing that hammers out B naturals in octaves. POST BOP Monk uses a lot of circle of fifths progressions, and often alternates the yin and yang scales over them, but he never plays predictable patterns. Charlie Parker was crucial for linking the modernist complexity of bebop with, Bebop soloists were inspired by the fluid, discontinuous phrasing of, Drummer Kenny Clarke shifted the pulse from the bass drum to the, This talented trumpet player was also the intellectual force behind bebop, The musical innovations of bebop grew out of. - features: explosive 5 chorus Parker solo, at times imitating speech; interaction between Parker and Roach (drums); solos by Roach and Heath (bass) They were part of a jazz quintet led by, The first two chords of "So What," built on the interval of the fourth, are known as, The style of improvisation heard in "So What," is, The tenor saxophone soloist on "Acknowledgement" is, On the highest notes in "Acknowledgement," the saxophone soloist, The saxophonist in "Acknowledgement" improvises by manipulating short fragments of melody. Ensemble: Anthony Braxton/Max Roach: "Spirit Possession", - style: hard bop/fusion Because of this, musicians who learn jazz in college are knowledgeable in all styles of jazz rather than focusing on just one. You can hear similar ideas in Blue Monk, Ba-lue Bolivar Ba-lues-are, Criss-Cross, Four In One, Epistrophy, In Walked Bud, Played Twice, Well You Neednt, and uncountably many of his improvised solos. What is the instrumentation of the arpeggiated theme heard at the outset of this excerpt? Has "exotic" opening mood played by Juan Tizol (trombone, plus Lawrence Brown); eventually switches from Latin to swing. - Second Great Quintet (1963-8) Quartet with Chet Baker, singer- "My Funny Valentine" with Gerry Mulligan, "creating academic elgitimacy" I Got Rhythm." The focus is on devices deployed by Corea to break free from the. Rhythm-a-ning - YouTube stride piano: left hand strides between low bass notes and midrange chords, right hand melody usually seesaws; grew out of ragtime: ragtime form, combining syncopated rhythms and smoother swing style angular melody, extreme tempos How did Louis Armstrong change the sound of jazz in the 1920s? Rhythm-A-Ning (Play-Along) - YouTube Which of the following was a white, cool jazz, trumpet player who played with a tone similar to Miles Davis and also won a huge following as a singer? - features: Spalding's expressive composition; her unusual use of the voice as a melody instrument; the piano trio ensemble (piano, bass, drums), which steadily builds the music to a climax, a form of contemporary music created by DJs in the 1990s, relying heavily on samples taken from jazz recordings from the 1950s and 1960s and combining them with rap and hip hop, method of improvisation found in New Orleans jazz in which several instruments in the front line improvise simultaneously in a dense, polyphonic texture, a new piece with the same chord progression as a preexisting tune; a common jam session language of bebop.